Guns are the answer in heart-pumping new thriller
Trigger-happy Jodie Foster dispenses satisfying justice
Two black thugs create mayhem on a New York subway train, stealing a young hippie’s iPod and roughing him up. An old Negro gentleman sitting with his grandson protests to the youths, and they smack him around. The two thugs look—and laugh at disbelief—as they see a lone, small white woman at the back of the train-car (Jodie Foster) giving a steely glare of loathing contempt, echoing society’s stare of contempt for the black criminal underclass.
Sidebar:
A change of pace
The movie is a nice departure from the current daily hippie bullshit here in Franny, California. The right-leaning movie is an NRA must-see, as it is, in my interpretation, very pro-gun. [Following contains spoilers…] And, refreshingly, there was no “guns are never the answer” moral realization you see in other pussy movies. The opposite happened to my surprise, where she realizes she can never go back to who she was. A gun saved her, both literally and figuratively. Literally, as she fought a madman in a convenience shop, and figuratively, as the gun helped her regain her freedom to be outdoors and to take control over her life and society. Moreover, the police officer who’s job it was to find this vigilante, sympathized with her own law enforcement undertaking because of his own frustrations of not being able to do what’s right.
In reality, the good people of this world should be armed. Black commentator Walter E. Williams agrees: "Liberals and their political allies say the problem is the easy accessibility of guns and greater gun control is the solution. That has to be nonsense. Guns do not commit crimes; people do."
The movie’s message could be: The police being hindered by liberal politics means the good citizens of this nation must take upon themselves the burden to defend self and city. Nothing about the movie states otherwise.
They approach the woman, taunting her, threatening her. She continues her cold, icy stare, with not a flinch or movement to betray her emotionless disconnect. The disgusting criminal gets in her face and asks, “You evah gotten fucked by a knife?”
KABLAAAHM!!—NIGGA GETS HIS FACE BLOWN AWAY! BLAAHM!—NIGGA’S FRIEND TAKES ONE IN THE SKULL!
She wasn’t pretending! She’s a woman on fire! She pulled out a 9-millimeter semi-automatic and again tasted the satisfaction of dealing out immediate justice that only a bullet to the brain can, again wrongly making right (by making dead) a member of society’s ills. It’s vigilante-justice at its absolute best as Jodie Foster settles the score in this thrilling, exhilarating movie, The Brave One.
Foster’s performance was fantastic as a woman who’s had enough after her fiancé gets a pipe to his face by a miserable Mexican thug, and who herself was beaten to a pulp and left to die, all the while these vicious thugs videotaping their rabid behavior. Flushing away pills and booze to which any weaker person would have turned, Jodie decides to live her life sans fear, fully armed.
The amount of criminal mayhem she comes upon once she puts herself into the role of vigilante is more than what would be real, but the film feels realistic which makes it more satisfying when she sends a bullet through the eyeballs of criminals. Its like I, the audience member, get to do it myself, after having fantasizing about it for so, so long. This movie allows all of our, the viewers’, anxious frustrations of the perception that our society is falling into chaos—being led there by black criminals—to be released. It’s as if I finally get to do something about it, whatever it is. Fun.
Verdict: This movie literally made my heart pound and is a can’t-miss for people who need to let loose their revenge fantasies.
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